This is part three in my Wexford series of books. Every photo here was taken on film and developed in my darkroom; my labour of love. Opening negative files from the 1980s, 90s and early 2000s transports me back and I realise that people are older or gone, buildings altered or gone, and everyday things have changed. Mobile phones and computers existed then but were not commonplace.
Still, I walk Wexford’s old streets again, meet old friends, and wait at familiar corners for small everyday dramas that reveal grand truths about the world.
This is the past — my past. All that we are, were, and will be.
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This is the second of four WEXFORD books, with photos from 1987–1999. It contains 138 black-and-white images; a few are familiar, most are unpublished. I believe everyday human life — its interactions and small dramas — is visible right outside your door, on your street. Wexford is my chief muse, though I also travel the world for pictures and adventure. Those trips have tested me, rewarded me, and made me see home with fresh eyes and feeling. The late 1980s and 1990s were times of great change — and our own era will be judged the same. A photographer freezes moments; photographs keep the past alive.
This book’s images fall into three groups: buildings, community events, and people.
Buildings: For years roads and streets became mud while new drainage works took place. Necessary, but messy work. The old Victorian wharf, called The Woodenworks, was finally taken down after long neglect. I miss the topographical balance it gave our town. It was replaced by a grey concrete quayside with better facilities for mussel dredgers and the occasional visiting fairground attraction. A new bridge, replacing the old New Bridge, now skims across the water.
Events: Operas, mussels and hurling — three words that sum up Wexford. My archive of Opera Festival photos is huge and deserves its own book; only a few are shown here. In 1996 Wexford’s hurlers won the All‑Ireland Championship for only the second time in my life — say “1996” to a Wexford person and you’ll see their eyes light up.
In street photography I follow one rule: I won’t show anyone in a way I wouldn’t want to be seen. The people of Wexford are at the heart of this book—what is a place without its people? I suppose I’ve built a career, if not a living, by standing on street corners.
This is the special edition gatefold cover design and number one in my Wexford Series (photographs 1981–1990)
Over 100 photographs from my archives, made between 1981 and 1990. The first of four retrospective books on Wexford, each covering a decade from 1980 onward.
Includes well-known images such as the Wexford quayside series "The Woodenworks" and quiet snow scenes of the sleeping town. Behind-the-scenes shots from Billy Roche’s The Boker Poker Club at Wexford Arts Centre; Pierce Turner mid-leap at a Christmas gig in the old Shambles Bar; and many previously unpublished street portraits of local characters and traders — cobbler Pascal Murphy at work, actor Dave Morris on High Street, Aidan Hore outside his small goods shop in Selskar, and the legendary Nolan’s Cafe on Allen and Main.
These pictures matter not only as records of events but because they capture the spirit of the town and its people during a time of change. Wexford is my main subject; the streets are my canvas. The images keep the past alive in the present.
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